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trium

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here the german text:

 

ich wollte nie erwachsen sein,
hab immer mich zur wehr gesetzt.
von außen wurd ich hart wie stein,
und doch hat man mich oft verletzt.

chor:
irgendwo tief in mir,
bin ich ein kind geblieben.
erst dann, wenn ichs nicht mehr spüren kann,
weiß ich, es ist für mich zu spät, zu spät, zu spät.

unten auf dem meeresgrund,
wo alles leben ewig schweigt.
kann ich noch meine träume sehn,
wie die luft, die aus der tiefe steigt.

chor:
irgendwo tief in mir,
bin ich ein kind geblieben.
erst dann, wenn ichs nicht mehr spüren kann,
weiß ich, es ist für mich zu spät, zu spät, zu spät

Zwischenspiel Orchester + Gitarren

ich reite durch die dunkelheit,
und warte auf das morgenlicht.
dann spiel ich mit dem sonnenstrahl,
der silbern sich im wasser bricht.

chor:
irgendwo tief in mir,
bin ich ein kind geblieben.
erst dann, wenn ichs nicht mehr spüren kann,
weiß ich, es ist für mich zu spät, zu spät, zu spät.

Zwischenspiel Orchester + Band

chor:
irgendwo tief in mir,
bin ich ein kind geblieben.
erst dann, wenn ichs nicht mehr spüren kann,
weiß ich, es ist für mich zu spät,
weiß ich es ist für mich zu spät, zu spät, zu spät.

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here english:

 

I never wanted to be adult,
I always put me to resist.
from the outside, I was hard as stone,
and yet one often has hurt me.

chorus:
somewhere deep inside me,
I am a child remained.
only then when I can not more feel it,
I know it is too late for me, too late, too late.

the bottom of the ocean floor,
where all of life silent eternal.
I can still see my dreams,
like the air that rises from the deep.

chorus:
somewhere deep inside me,
I am a child remained.
only then when I can not more feel it,
I know it is too late for me, too late, too late.

Interlude Orchestra + Guitars

I ride through the darkness,
and wait for the morning light.
then I play with the sunbeam,
the silvery in the water breaks.

chorus:
somewhere deep inside me,
I am a child remained.
only then when I can not more feel it,
I know it's too late for me, too late, too late.

Interlude Orchestra + Band

chorus:
somewhere deep inside me,
I am a child remained.
only then when I can not more feel it,
I know it's too late for me,
I know it's too late for me, too late, too late.

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I'll share a few :D

 

Source - Fever the Ghost

 

Merriment - Tremendous Love

 

Diablo Swing Orchesta - Voodoo Mon Amour

 

(here's an odd one) Orphic Oxtra - Skeletons Having Sex on a Tin Roof

 

(another really odd one. ) Autry - BUG I don't care much for this song at all but the music video is a trip

 

This video is called Love & Theft, I'm not sure what the music it is set to is called.

 

The Elephant's Garden - This one isn't so much a music video as it is a short film set to music, but it's a lot of fun.

 

Blockhead - The Music Scene

 

Free The Robots - Jazzhole (not an official video)

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they had indeed interesting music that has influenced many other bands.
as far as i know was 2009 the last plate/record...

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the last info that i have about Kraftwerk is:

 

grammy on 2014 for there lifetime achievement

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here a funny older hit from the last century :-) i mean in the early 90´s

 

edelweiß - starship edelweiß

 

my favorite is

ofcourse

"jim b. scotch" ;-))

 

i found some other funny versions like "yodel selector";

"space beer shuttle" or

"ski instructor" :D if someone remember it sounds like "music instructor" from super sonic ;)

 

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Here's a video by some of your fellow countrymen Trium, it's from the German Black Metal band Imperium Dekadenz.

 

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@corona,

 

Quote

 

Electronic music pioneers Kraftwerk on Sunday won a Grammy for "3-D The Catalogue," a high-tech recreation of their back albums.

 

Kraftwerk took Best Dance/Electronic Album -- the first award in competition from the US-based Recording Academy for the influential German band, which has earned lifetime achievement and Hall of Fame recognitions.

"3-D The Catalogue" won the Grammy in a diverse field of nominations that included US indie electronic duos Sylvan Esso and Odesza and rising English producer Mura Masa.

Kraftwerk, who famously said that they wanted to make music more as machines than as men, created "3-D The Catalogue" out of a series of retrospective performances at museums including the Museum of Modern Art in New York.

The album was remastered off the performances to provide just the sound without extraneous crowd noise, unlike traditional live albums. Audiences were given 3-D glasses to enhance their experience.

"3-D The Catalogue" had several versions including a package with eight CDs. One CD was designed to provide all-encompassing surround sound over headphones, featuring some of Kraftwerk's classic tracks such as "The Robots," "Pocket Calculator" and "Trans Europe Express."

Kraftwerk did not appear in New York to accept the award, which was presented before the main televised Grammy ceremony.

 

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