I liked the final gunfight in
The Quick and the Dead
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Sharon Stone stars as Ellen, a beautiful gunslinger with a cloudy past. She arrives in the town of Redemption with a bone to pick, namely with one John Herod (Gene Hackman, BONNIE AND CLYDE, THE ROYAL TENNENBAUMS), with whom she shares a shady history. Ellen signs up for the annual quick-draw contest, which awards $230,000 to the winner, but her real motivation is revenge. Raimi incorporates beautiful photography and camerawork, and surprising new twists to the familiar spaghetti Western tropes, breathing new life into the genre.
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The Quick and the Dead
If pulp horror novelist Stephen King were to tackle the western, the result probably would be similar to "The Quick and the Dead," visionary director Sam Raimi's homage to Sergio Leone and the spaghetti western.
Sharon Stone is Ellen, a hip, gun-slinging cowgirl who rides into the godforsaken town of Redemption, hell-bent on destroying Herod (Gene Hackman), the sadistic tyrant who rules with an iron fist over Redemption and Ellen's darkest memories. Not too coincidentally, her arrival coincides with the ceremony of the gunfight, a deadly, single-elimination quick-draw tournament staged annually by Herod to weed out rivals, both real and imagined.
Dark and gender-bending, this "High Noon Meets Road Warrior" is trademark Raimi ("Darkman," "Army of Darkness"), complete with straightforward, fast-paced action, a plethora of unusual camera angles, creaking leather and cleverly choreographed violence.
Fantasy, revenge and Sharon Stone in a black comedy horror-western. What a concept!
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